Sergej VutucAbfolge, emouvant tel quel i tako tako el la piéce elle-meme

"Abfolge, emouvant tel quel i tako tako el la piéce elle-meme" can be seen as a prolongation of Sergej Vutuc’s former (2016) questioning of possibilities with "Abfolge"; meaning "sequence", the first installment already tickled the viewer’s certainties with its juxtaposition of folded photographs physically reassembled and therefore composing new landscapes of alternative realities, thereby inviting said viewer to reconsider their perception of truth by the means of deconstruction and reconstruction - an offer made complete by the physical presentation of the piece, which can be taken apart then reassembled just as such, matching as many possible mental images.

Now in "Abfolge, emouvant tel quel i tako tako el la piéce elle-meme" , dimensions keep blending into one another as motion turns into texture, physical space into patterns and text, abolishing definitions and descriptions. By capturing so much, photocopied on black recycled paper then free to be manipulated and reinterpreted equally, the object itself raises the question of the natural potential of both the medium and human communication as a whole - one that would transcend its intellectualized representation by resonating with a frequency more universal than any orchestration of languages amidst an existence of non-stop chaos.
Aymeric Nocus, Live skateboard media